Victorian Opera is an opera company based in Melbourne, Victoria, Australia. The company was founded in 2005 and commenced operations in January 2006 with funding from the Victorian government, and Richard Gill as Artistic Director. The replacement for the VSO quickly acquired an enthusiastic (and generous) support base through their Patrons programme, whose members assist the company on a financial basis annually, as do a growing number of corporate partners.
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Victorian Opera's first production was Benjamin Britten's Noye's Fludde, performed by the Victorian Youth Opera from 30 June to 2 July 2006. It was a collaboration with the Victorian College of the Arts' School of Production, whose students designed and crewed the show. This was followed by an Opera Gala Concert on 15 July 2006, at Melbourne's Hamer Hall, in which most members of the new company performed, accompanied by Orchestra Victoria under the baton of Richard Gill.
The company's inaugural main stage production was Mozart's Così fan tutte, directed by Jean-Pierre Mignon and presented at Her Majesty's Theatre, Melbourne between 19 and 26 August 2006. The principals were Gary Rowley (Don Alfonso), Christopher Saunders (Ferrando), Christopher Tonkin (Guglielmo), Antoinette Halloran (Fiordiligi), Jacqueline Dark (Dorabella) and Tiffany Speight (Despina).
Bach's Passion According to St. John was performed on 8 September, at St Michael's Uniting Church, Collins Street, Melbourne, and a concert version of Brian Howard's Metamorphosis was performed on 3 November, at Melba Hall, Conservatorium of Music, University of Melbourne completed the Victorian Opera's first season, which was not only well-received, but also produced an encouraging financial surplus.
After several temporary locations, the historic Horti Hall in Victoria Street, Melbourne, became the company's permanent headquarters in 2007.
The company's second season commenced on 17 February 2007, with a concert presentation at Hamer Hall of the Stravinsky double-bill Les noces and Oedipus Rex, with Richard Gill conducting Orchestra Victoria, and a cast which included most of the coming season's principals and the Victorian Opera Chorus.
Between 1–3 June, the Victorian Youth Opera, again in collaboration with the Victorian College of the Arts School of Production, presented an interpretation of Hans Christian Andersen's immortal story The Snow Queen, by Grahame Dudley and Nick Enright.
A new production of The Love of the Nightingale by Richard Mills and Timberlake Wertenbaker, directed by Lindy Hume, was premiered at Her Majesty's Theatre on 27 and 29 July. Based on the 3000-year-old legend of Philomele and Procne, the explosive drama featured Leanne Kenneally (Philomele), Elizabeth Campbell (Niobe), James Egglestone (Captain/Hippolytus), Adrian McEniery (First Soldier/Pandion), Samuel Dundas (Second Soldier), Sarah Crane (Hero), Sarah Cole (Iris) and Roxanne Hislop (Juno). Once again Richard Gill conducted Orchestra Victoria.
Gluck's enduring and greatest opera Orphée et Eurydice was performed at Her Majesty's Theatre between 6–13 August in the Berlioz version, directed by Stephen Page, with mezzo-soprano Dimity Shepherd as Orphée, Alison Rae Jones (Eurydice) and Jacqueline Porter (L'Amour). The Victorian Opera Chorus and Orchestra Victoria were conducted by Matthew Coorey.
The previous season's acclaimed production of Così fan tutte toured metropolitan and regional Victoria during October and November. Sung in English, with a chamber ensemble drawn from Orchestra Victoria, and conducted by Nicholas Carter, only Gary Rowley (Don Alfonso) and Jacqueline Dark (Dorabella) remained from the original cast, with James Egglestone as Ferrando, Samuel Dundas (Guglielmo), Mylinda Joyce (Fiordiligi) and Jacqueline Porter (Despina).
Although more modest than the previous year, the company once again finished with a financial surplus.
The opening performance of the year was a Gala Concert on 16 February at Hamer Hall. Entitled Puccini ~ The Sacred and Profane, it consisted of the Messa di Gloria, several well-known arias from Puccini operas, and the complete Act II of La bohème.
The season's new contemporary production was the chamber opera Through the Looking Glass by Alan John and Andrew Upton, directed by Michael Kantor, and performed at the Merlyn Theatre, CUB Malthouse, South Melbourne, 17–31 May. The small cast of David Hobson, Dimity Shepherd, Suzanne Johnston, Margaret Haggard, Gary Rowley and Kanen Breen, sang multiple roles, and a small on-stage ensemble was conducted by Richard Gill. (Won 2008 Green Room Award for Best New Opera.)
Monteverdi's baroque work The Coronation of Poppea[1], directed by Kate Cherry, was presented at the Australian National Academy of Music, South Melbourne Town Hall, 18–26 July. The orchestra, arranged in 17th Century fashion on either side of the performance space were led by Richard Gill, conducting from one of the two harpsichords. Artists performing in one of the earliest of all operas (1643) were: Tiffany Speight (Poppea), countertenors David Hansen (Nerone) and Daniel Goodwin (Ottone), Sally Wilson (Ottavia/La Fortuna), Jacqueline Porter (Drusilla/La Virtù), Paul Hughes (Seneca), Isabel Veale (Arnalta/Nutrice), Adrian McEniery (Luciano/Primo Soldato), Jessica Aszodi (Damigella), Edmond Choo (Liberto), Laurence Meikle (Mercurio/Littore) and Jacob Caine (Secundo Soldato).[2][3] (The production shared the 2008 Green Room Award for Best Opera with Opera Australia's Arabella, and Tiffany Speight received a Helpmann Award for Best Female Opera Performer in a Principal Role.)
Between 11–21 August, the Donizetti opera The Elixir of Love was presented at the Merlyn Theatre, CUB Malthouse, South Melbourne. Directed by Stephen Medcalf, with Orchestra Victoria conducted by Warwick Stengards, with alternating casts of David Hobson/Roy Best (Nemorino), Antoinette Halloran/Elena Xanthoudakis (Adina), Christopher Tonkin/Samuel Dundas (Sergeant Belcore), Roger Lemke/Roger Howell (Dulcamara) and Danielle Calder (Gianetta).
Rounding off the 2008 season were five performances by the Victorian Youth Opera, when they presented Malcolm Williamson's The Happy Prince, based on the story by Oscar Wilde, between 3–5 October at the Victorian College of the Arts.
The Victorian Opera's 2009 season began on 21 February, with a Gala Concert at Hamer Hall. The programme consisted of Bluebeard's Castle by Béla Bartók, with Grant Smith (Narrator), Andrew Collis (Bluebeard) and Lecia Robertson (Judith); and Carl Orff's Carmina Burana with soloists Joanna Cole (soprano), Tobias Cole (counter-tenor) and Gary Rowley (baritone). The Victorian Opera Chorus and Orchestra Victoria will be conducted by Richard Gill.
Mozart's Don Giovanni was presented at The National Theatre, St. Kilda, in March, with Richard Gill conducting the first three performances and Nicholas Carter the remaining three. The production was directed by Jean-Pierre Mignon, with baritones Samuel Dundas (Don Giovanni) and Andrew Collis (Leporello); bass baritone Anthony Mackey (Masetto); and bass Steven Gallop (The Commendatore). The opera's lighter-voiced roles were sung by tenor James Egglestone (Don Ottavio) and sopranos Caroline Wenbourne (Donna Anna), Tiffany Speight (Donna Elvira) and Michelle Buscemi (Zerlina). A tour of regional Victoria followed the Melbourne season.
The new Australian work of the 2009 season was the Andrew Ford/Sue Smith chamber opera Rembrandt's Wife, performed at the Merlyn Theatre in April. Directed by Talya Masel and conducted by Richard Gill, the cast consisted of Paul Biencourt (The Pretender); Roxanne Hislop (Geertje Dircx); Jacqueline Porter (Saskia/Hendrickje Stoffels) and Gary Rowley (Rembrandt van Rijn).
The company's first performances at The Arts Centre was between 21–27 July when Richard Strauss's Ariadne auf Naxos, directed by James McCaughey, was presented at The Playhouse. Richard Gill conducted Orchestra Victoria, with artists Elizabeth Stannard (Prima Donna/Ariadne); Jacqueline Dark (Composer); Theresa Borg (Zerbinetta); Gary Rowley (Music Master); Adrian McEniery (Dancing Master); Samuel Dundas (Harlequin); John Mac Master (Tenor/Bacchus); Paul Hughes (Wig-maker); Roxanne Hislop (Dryad); Jessica Aszodi (Echo); Melanie Adams (Naiad); Paul Biencourt (Brighella); Jacob Caine (Scaramuccio/Officer); and Anthony Mackey (Truffaldino/Lackey).
The much anticipated Melbourne Recital Centre opened in February 2009, and the company performed Handel's Xerxes in its principal space Elisabeth Murdoch Hall in August. In a co-production with The NBR New Zealand Opera directed by Roger Hodgman, early music expert John O'Donnell conducted a specialised baroque orchestra and a cast including counter-tenor Tobias Cole (Xerxes); mezzo-sopranos Roxanne Hislop (Amastre) and Dimity Shepherd (Arsamene); sopranos Tiffany Speight (Romilda) and Jessica Aszodi (Atalanta); baritone Gary Rowley (Elviro) and bass Steven Gallop (Ariodate).
The final production of the 2009 season was Benjamin Britten's opera The Little Sweep, presented by the Victorian Youth Opera in five performances between 2–4 October at Horti Hall in Melbourne.
The season launch included the welcome news of the State Government's $1.5 million boost to the Company's budget which will finance, among other plans, a free concert next summer, supported by the Melbourne Symphony Orchestra. This brings the Company's annual grant to $3.79 million.
As well as the concert - Opera in the Bowl on 27 February at the Sidney Myer Music Bowl - the Company's fifth season will include:
A Gala Concert presentation of The Damnation of Faust by Berlioz on 19 February at Hamer Hall The Arts Centre. Soloists will be Julian Gavin (Faust); Tania Ferris (Marguerite); Pelham Andrews (Mephistophélès); and David Hibbard (Brander). The Victorian Opera Chorus and Orchestra Victoria will be conducted by Richard Gill.
The first main-stage productions of the year will take place 10–20 March at The Arts Centre, Playhouse, with the double-bill of Wiliam Walton's The Bear and Angélique by Jacques Ibert. Directed by Talya Masel and conducted by Ollivier-Philippe Cuneo will be artists Jessica Aszodi (Popova); Andrew Collis (Luka) and John Bolton Wood (Smirnov) in The Bear. The larger cast of Angélique will comprise Pelham Andrews (The King of Bambaras); Theresa Borg (Angélique); Paul Biencourt (The Englishman); Jacob Caine (The Devil); Olivier Cranwell (Gossip/Neighbour); Samuel Dundas (Boniface); Benjamin Nandarian (The Italian); Anna O'Byrne (Gossip/Neighbour) and the splendid bass Gary Rowley (Charlot).
The VO returns to the CUB Malthouse for a third year with a co-production with Malthouse Theatre of The Threepenny Opera by Kurt Weill & Bertolt Brecht in the Merlyn Theatre between 28 May and 17 June. Directed by Michael Kantor and conducted by Richard Gill, the artists will include Paul Capsis (Jenny Diver); Judi Connelli (Celia Peachum); Dimity Shepherd (Lucy Brown) and Grant Smith (Jonathan Jeremiah Peachum).
The Arts Centre Playhouse will be the venue for a season (7–17 July) of The Turn of the Screw, an operatic ghost story by Benjamin Britten. Orchestra Victoria will be conducted by Paul Kildea and Kate Cherry will direct the artists Melanie Adams (Miss Jessel); Danielle Calder (Governess); James Egglestone (Prologue/Peter Quint); and Maxine Montgomery (Mrs. Grosse).
The 2010 Baroque opera will be Julius Caesar by Handel, to be presented at the Elisabeth Murdoch Hall, Melbourne Recital Centre 20–30 July, conducted by Richard Gill and directed by former Australian Ballet principal Stephen Heathcote, with Jessica Aszodi (Sesto Pompeo); Tobias Cole (Tolomeo); Tania Ferris (Cornelia); Steven Gallop (Achilla); David Hansen (Julius Caesar); Anthony Mackey (Curio); Dimity Shepherd (Nireno) and Helpmann Award winner Tiffany Speight (Cleopatra).
The year's final productions will be world premieres by the Victorian Youth Opera. Firstly, The Parrot Factory a newly commissioned work by Frederick and Mary Davidson, to be performed at the CUB Malthouse Merlyn Theatre 1–5 October. Secondly, The Cockatoos by Sarah de Jong and Sarah Carradine will be presented at the New Ballroom, Trades Hall, 10–12 December.